Showing posts with label night. Show all posts
Showing posts with label night. Show all posts

Sunday, August 17, 2008

Recuerdo

We were very tired, we were very merry–
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable–
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry–
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, “Good morrow, mother!” to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares.

Edna St. Vincent Millay


This is one of my favorite poems. It brings to mind images: night on the water, drinking coffee in empty cafes, starry lit streets; the feeling of a strong but pleasant wind blowing; images of New York, real and imaginary - glamorous, gritty, mysterious; that mood one gets in the middle of the night when you're out with friends or someone you're in love with - a wildness, a feeling of incredible happiness to be alive mixed with the knowledge that time is short so cram in everything you can, that tenuous balance between complete happiness and complete despair. And playing over everything the sound of The Bleeding Heart Show by The New Pornographers - probably because, to me, that song conjures up similar feelings.


IMAGE: "Couple watching the moonight" by Howard Sochurek

Sunday, July 27, 2008

"O lady, my heart..."

Deathless Aphrodite of the spangled mind,
child of Zeus, who twist lures, I beg you
do not break with hard pains,
O lady, my heart

but come here if ever before
you caught my voice far off
and listening left your father's
golden house and came,

yoking your car. And fine birds brought you,
quick sparrows over the black earth
whipping their wings down the sky
through midair---

they arrived. But you, O blessed one,
smiled in your deathless face
and asked what (now again) I have suffered and why
(now again) I am calling out

and what I want to happen most of all
in my crazy heart. Whom should I persuade (now again)
to lead you back into her love? Who, O
Sappho, is wronging you?

For if she flees, soon she will pursue.
If she refuses gifts, rather will she give them.
If she does not love, soon she will love
even unwilling.

Come to me now: loose me from hard
care and all my heart longs
to accomplish, accomplish. You
be my ally.

by Sappho (translated by Anne Carson)

IMAGE: "Woman wearing a black dress" by Bragi Thor Josefsson

Sunday, July 20, 2008

The Village

Ivy Walker: When we are married, will you dance with me? I find dancing very agreeable. Why can you not say what is in your head?

Lucius Hunt: Why can you not stop saying what is in yours? Why must you lead, when I want to lead? If I want to dance I will ask you to dance. If I want to speak I will open my mouth and speak. Everyone is forever plaguing me to speak further. Why? What good is it to tell you you are in my every thought from the time I wake? What good can come from my saying that I sometimes cannot think clearly or do my work properly? What gain can rise of my telling you the only time I feel fear as others do is when I think of you in harm? That is why I am on this porch, Ivy Walker. I fear for your safety before all others. And yes, I will dance with you on our wedding night.

from The Village (M. Night Shyamalan's best)

Sunday, June 15, 2008

The Fist

The fist clenched round my heart
loosens a little, and I gasp
brightness; but it tightens
again. When have I ever not loved
the pain of love? But this has moved

past love to mania. This has the strong
clench of the madman, this is
gripping the ledge of unreason, before
plunging howling into the abyss.

Hold hard then, heart. This way at least you live.

by Derek Walcott


(I find it interesting that the person this reminds me of is also the same person who told me they disliked all poetry. How is that even possible...??)

Sunday, December 24, 2006

At Night

How can I call out? How can I shout?
In silence everything is fragile as glass.
Having laid its head on the receiver,
the telephone sleeps soundly.

I'll walk across the sleeping city
through a snowy side street.
I'll go up to your window,
quietly and tenderly.

I'll protect you from the street sounds with the palms of my hands,
the streets ringing with drops of melting snow.
I'll put out the lamps to keep your eyes in sleep.
I'll command the spring to put the nightsounds in order.

So, what kind of person are you in sleep!
Your arms have grown so weak
Fatigue is concealed in the wrinkles of your eyes—
tomorrow I'll kiss them so no trace remains.

I'll watch over your sleep 'til dawn,
then leave in the clean snowy morning,
forgetting about my tracks in the snow,
through the dry leaves of last autumn.

Daniel Halpern with Albert Todd


(Just before Jade closed down LOTL, I dashed in and grabbed everything I thought I might wish I had kept - including almost all of the poetry, particularly the ones written by us. I can't remember who posted the above, but its one that's always stuck in my head - that first line especially.)

Thursday, August 17, 2006

Don't surrender your loneliness
so quickly.
Let it cut more deep.
Let it ferment and season you
As few human or even divine
ingredients can.

Something missing in my heart tonight
Has made my eyes so soft,
My voice
so tender,
My need of God
Absolutely
clear.


HAFIZ